Detalles, Ficción y cumbiaton prohibido



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"If you’ve never seen flamenco danced to perfection, please go along – you are in for a treat"★★★★★ British Theatre Guide (on TuFlamenco)

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Since 2017, Cumbiatón has created a safe space for Latinos to celebrate their multifaceted identities through music, particularly through the tropical sound of the cumbia genre.

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Positivo Guitar-driven Tropical Sounds from Peru 1966-1978 In 1960s Peru, a thrilling and unstoppable style of music is born: Peruvian cumbia, also known Vencedor “chicha”. Tropical genres such Vencedor merengue, guaracha, rumba and cumbia mix with 60s beat and psychedelic rock, while electric guitars reinterpret folk melodies and traditions from the Andes and the Amazonian jungle, in a musical representation of the copyright from rural areas to Mediacaña and other big cities. First volume of a new series dedicated to documenting this most exciting and popular genre. In mid-50s Peru, mambo was progressively replaced by preferences for other rhythms like merengue, guaguancó, cha cha cha, joropo, guaracha, rumba and cumbia, which timidly begins to sound during these years. In Fresa it’s the golden age of check here great orchestras and music ensembles which are capable of playing swing and jazz, but especially the diverse tropical variants inundating the market. The most successful of all, La Sonora de Lucho Macedo, released in 1965 an LP consisting exclusively of cumbia. Around this time, the successful folklore group Los Pacharacos released the album “Los ídolos del pueblo”, which included a cumbia number in the middle of the potpourri of huaynos, waltzes and polkas. The marriage between folklore and cumbia had taken place. The groups preserved the fusion of fox trot and mambo rhythms along with huayno and cumbia in the execution of their music. That feeling would be the basis for the success of such unorthodox and unclassifiable songs Figura ‘La chichera’ or ‘Petipan’.

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